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The Storm

An hour before it arrived, the storm that blew in last night hadn’t even been in the forecast, but as we were getting into bed warning signals screeched from our phones: 90 mph windslife threateningtake shelter

Just in case, we snuck into our four-year-old’s room while he slept to clear the closet—the only space in the house with no exterior walls. The news station lost power but kept, somehow, broadcasting audio—flash flooding, conditions ripe for tornadoes—until their generators came on. If we lose the connection, we’ll wake the kids, we said, and wait it out in the closet.

Then the storm split, or seemed to, above our neighborhood so that the worst of the winds hit twenty blocks south and just ten blocks north. Some folks lost their roofs. We didn’t even lose power. We went to bed, slept easy, having, by no action or decision of our own, made it through, as it always felt inevitable that we would.

Even as our walls

shook, we couldn’t imagine

it touching us here.


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What Hope There Is

First and foremost, the sparrow
is a sparrow, the cow a cow,

alive or dead, the child
by the water which is water a child.

At this moment, the child cries.
You groan aloud, or the beating

in your chest tightens. The child
is a child. That sentiment means

“deep feeling” is obsolete. What you
deem superficial you dismiss,

you miss. Still, the child
is a child, the cow either alive or dead.

Who’s doing the abstracting here?
Have I said it too plainly? I do want to

be understood and understanding.
The water is filthy and rising. Far off,

a siren wails and fades. Even farther,
how many drones and planes?

Listen, I get it. I too have wished
for more magic (as if one thing

could mean another), have wished
away the task to be done

and not easily. What hope there is
is godless—as much is

clear and crucial. It begins
with the sparrow, with looking,

more intently than ever before,
not thirteen ways but one,

eight billion times. It begins there.
That’s only the beginning.


Josh Luckenbach‘s recent work has appeared in The Southern ReviewNew Ohio Review, ShenandoahBirmingham Poetry Review, and elsewhere. He serves as Poetry Editor for EcoTheo Review and  as Web Editor for the Coalition for Community Writing. He doesn’t have a  big sweet tooth, but he does love baking all sorts of sweets—cakes,  pies, cookies, etc.

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