https://sweetlit.org/wp-content/uploads/2026/09/Nine_Hundred_Office_Hours.mp3
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Nine Hundred Office Hours

The student sat in the student chair, told me
a long story about how there would be big changes
in her family soon. I had a yellow notepad out on my desk,
chose a black-ink pen. The smut loved to smear itself
across every page, cursed my left hand, climbed into
my skin to sit shotgun. I drew two circles like lenses.
In one I wrote Side A. In the other I wrote Side B.
She reached over my doodling hands, took
the tissue box for herself. Oklahoma grief, flattened
subdivisions, husks of Christ, paired insect legs
holding fast to oakbark, so easy to sweep them
off into Augustine grass. Her brother is getting out
of prison soon. His arms thick and workout confident,
he can lift one corner of city hall, just long enough
to make his point. Well taken. I get the feeling
she has roughly nine hundred children. I get the feeling
she has roughly nine hundred jobs. I get
the feeling she has roughly nine hundred
exes. Like her brother, they all have tobacco
arms, thick and confident. But their faces
are weary. I get the feeling she is used to being
ignored, nine hundred times a day. She’s hoping
to pass her kidney stone. But today, she’s collecting
signatures for a state-wide petition. She says, did you know,
everyone has to declare party affiliation before they can vote?
And this year, there is no vote. Only a basket
of muffins and scones and biscuits and cakes
and crumpets. Here’s a napkin, and a plastic fork.
Choose your favorite, your second
favorite too.


https://sweetlit.org/wp-content/uploads/2026/09/Talking_in_Your_Sleep.mp3
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Talking in Your Sleep

Two police sirens in two hours,

both with a Milanese rhythm.

On the kitchen table, a grey box with eleven

assorted candies. I choose the tangerine.

Unwrap a thin, pale beast. Like a cataract,

or thickened fluid in a cyst.

When the scalpel cuts across the bulge,

a release—coolness on the neck.

Or the inner thigh. The join of left arm

to torso. The sixth floor, our luggage

piled on the couch, the coffee table. You sleep

in the bedroom, into your tenth hour.

I bend to scractch between my toes. Tiny scraps

of earth. I lift up a few grey-brown bits

and lay them out on the table. Let me breathe in

what they know. Turns out, only the chorus

from an old Crystal Gayle song. Back when country

tasted like fondent. Proud smearings

on anniversary cakes. And everyone had anniversaries

then. Every week alive was a miracle.

I stand and rest my ear along the wall that separates

us. You are dreaming Lombard peppers,

chopping and chopping. Remember to save

the seeds, in a wide

blue bowl.


James Miller (Bluesky @jandrewm.bsky.social) is a native of the Texas Gulf Coast, now settled in Oklahoma City. A Best Of the Net nominee, his work has appeared in Best Small Fictions (2021), ANMLY, Brooklyn Review, Harpur PalateJet Fuel Review, South Florida Poetry Journal, Hopkins ReviewCitron ReviewSan Pedro River Review, West Trade Review, Atlanta ReviewNorth Dakota Quarterly, Psaltery & Lyre, and elsewhere.

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