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Exile

Exile is a long walk, an intricate tattoo, soon
it has grown into your face
—Daniel Simko

Your mouth sounds clearest
across the ocean. Language rises

into a cloud of saliva and mosquitos
that kiss like you. When the land

opened its mouth, you didn’t
listen. Agree with the proverbs and sing

the same songs. Secure
yourself, plate armor identities

cover what’s identical. You were naked, never
weighed down, your wings made

of eyes launched you over the sea. I can’t
move—I love your touch. Would your words

lose meaning if I flew? I kissed the devil
like a corpse flower, you drew

a bowstring taut and aimed at my liver. The message
hurt my hands. Know I regret

each closed eye. When I side with memory, I trap myself
in a hole where language jumps

over the barbed wire and sails away
in a Volkswagen. I discarded you

so I could write poems
to naturalize us.


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Gigan for Semantics

the tears of a robot, the skin of a man—The Forgetters

You are in motion and I sleep
under a mountain of covers that want

to suffocate your brittle frame. Wander
through the room as a nomad, borrow
my head and pull out words: creation both

as self and other. You’re an unknown,
the final fax machine unable to integrate

electrical impulses, the twinkie that survived
the apocalypse for a thousand years, still tasting

overly processed. Never regret your resilience,
you are in motion and I sleep

as self and other, an unknown.
If we were reversed, I’d kiss your head, rock
you gently—the last person who could feel

your veins pulse, the last person
who could smother you into silence.


Donald Pasmore (Email: donaldpasmore@AOL.com) is a senior English and Philosophy major at Salisbury University who has poems published or forthcoming in Permafrost, Harpur Palate, The Broadkill Review, The Shore, and The Inflectionist Review. In addition to being a student, he works two jobs and is an assistant editor for Poet Lore. His favorite sweet is lemon cake.

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