To My Father Whose Pitch Has Always Been About Surviving

Years and years you tried
to teach me.
Now, I call home
to remind you of fragility—
as if I can protect you
from one thing
and, so, everything,
keeping mom, keeping you
alive and we know enough
to not ask until what?
The distance between us
collapsed by a phone line.
The world pitches variants,
firestorms, floods.
We go slowly toward
forgetting and forgetting and forgetting.
Now I am the reminder,
the pitch of my voice
often off or too high,
filled as it is with too much
gathering behind it—


The Flight Attendant Looks Back

Even though you arrive,
you’re never quite home.
Life lands unexpected.
Here, rain looms heavy,
days thick with leftover wet,
sudden deluge—you miss
not how the rain falls,
or how it smells,
but how you could see it fall,
from what distance—
you know you went too far, wanting
departure, connection—
a certain way of smiling, you left
expecting too much, you recall
now the scent of rain
on dry earth, a storm,
well ahead, above an open stretch
of high desert,
how rain evaporates
before it reaches ground.


Rebecca Brock’s poetry has appeared in CALYX, The Comstock Review, Whale Road Review and elsewhere. She was a finalist in the 2021 Joy Harjo Poetry Contest at Cutthroat and won the 2022 Editor’s Choice Award at Sheila-Na-Gig. She holds an MFA from the Bennington Writing Seminars. Her first chapbook is forthcoming in 2022 from Kelsay Books and she is a reader at SWWIM Everyday. She has been a flight attendant for most of her adult life and is still surprised by this fact. Her essay about flying on 9/11 can be found online at The Threepenny Review. Idaho born, she lives in Virginia. Her favorite sweet: Terry’s Chocolate Orange.

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